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SHOW DATES: 2.5.2010- 3.4.2010
OPENING RECEPTION:
2.5.2010 5-8PM
Eyvind Earle’s depictions of sloping fields with either vivid green or dry mustard grass and “inky” black cows capture the scenic beauty found along the California coastline.
When his hills are combined with a meticulous mixing of color, and the striking surface quality of his work, viewers realize why Eyvind Earle’s compositions are so appealing.
Eyvind’s varied artistic career had many highlights. He developed over 800 Christmas cards designs which resulted in more than 300 million of his cards being sold. In the 1950s, Eyvind worked at the Walt Disney Studios where he was responsible for developing the styling, background, and colors for the classic movie production of “Sleeping Beauty”. He also painted the dioramas for Sleeping Beauty’s Castle at Disneyland in Anaheim, CA.
* One reception attendee will win a DVD copy of Eyvind Earle’s “Painting A Painting”: a “How-To” presentation which time-compresses Eyvind’s painting process and associated thoughts.
Come see Eyvind Earle’s entrancing “Rolling Hills” exhibition for yourself at Palette! |
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SHOW DATES: 3.5.2010- 4.30.2010
OPENING RECEPTION:
3.5.2010 5-8PM
New landscape paintings by Rusty Wolfe and Paul Blomkamp that are electric and fresh. Feel with your eyes the intensity of Paul's vibrant linear landscapes from a faraway place. Consider the shapes and patina present in Rusty's intricate collages from 35,000 feet. Come see for yourself this duo's captivating, yet different landscape interpretations. |
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SHOW DATES: 4.2.2010- 5.6.2010
OPENING RECEPTION:
4.2.2010 5-8PM
Paul has been well-known, locally and nationally, for his creative and colorful, typically small, art glass sculpture.
In Albuquerque, particularly, since the day Palette opened, Paul's "Tectonic Cubes" have been recognized and well-received as novel, yet, affordable, colorful compositions of abstract art that come in a small package. When Paul initially developed his Tectonic Series, his main objective was to feature glass objects in a white matrix. He mixes white cement with his cullet, or clear glass, along with his
oddly-shaped, but always interesting, colored glass
pieces to create a matrix that he considers to be natural,
but, in reality is man-made.
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